We would like to take a quick poll to see which day/time works best for the FTC SIG members for an upcoming webinar focused on the electronic resource, Bloomsbury Fashion Central. Please leave your preference in the comments section below.
August 11: 3 – 5p.m. EST
August 12: 2– 5p.m. EST
The webinar should take about an hour. These are the times that we have available to us.
I just got back from the Costume Society of America (CSA) 2016 Symposium. CSA is for professionals who study dress: academics, theater costumers, textile historians, curators, design students — and yes, fashion librarians.
I think there is great value in attending conventions in one’s field. The perspective of practicing professionals beats back naivete, if nothing else. We weren’t talking about how to research fashion, but hearing papers on new discoveries in costume.When students talk to me about the jobs they may go into after college, I have a much clearer picture of that world.
Librarians at CSA
And, there were a few librarians. As I learned at ARLIS last year, museums have librarians, too! Especially interesting to me was a discussion one evening about the need for an authority list for costume terms. It seems small costume collections are where small libraries were 20 years ago: creating digital catalogs. This is complicated by the Internety expectation that each item have high quality images and metadata to go along withit, and few small museums can do all those things. Nor is the museum costume world settled on metadata standards. Software platforms abound, and so do “controlled” vocabularies. This has the potential to be a huge and important project, and librarians have skills and experience to offer.
Also, we have a small study collection here at Ohio University that is at the same stage as everyone else’s small collection, and I hope to be involved somehow in making it more accessible when it moves to a new home next year. Between ARLIS and CSA I have a much clearer idea what skills I can offer.
The other reason CSA is useful to fashion librarians is connections. I returned with questions and discussions ongoing through e-mail that help me in my day to day work. Notably the vocabulary project and more ideas about using collections in the classroom...
…for which I facilitated a panel. Sadly, CSA doesn’t publish proceedings, but here is a paragraph on my blog about it. The discussion afterward was about preservation vs. use, and how we might choose to “sacrifice” some artifacts to learn from them. The archivisits in my library have a similar idea; they keep a shelf of broken and damaged old books so students can see how they are put together.
Another unique offering is the Juried Design Exhibition. This collection of 25 new fashion pieces offers costume for art, theater, reenacting, and runway design. We don’t have a fashion design program, so this was exhibition was a new thing for me, showing me fashion can be many different things.
Here are Part 1 and Part 2 of my 3-part report (I learned a lot!).
So I can recommend the CSA Symposium as useful for fashion librarians – plus they hold a silent auction fund raiser with great deals on books and textiles!
The Savannah College of Art and Design recently presented its 2016 Fashion Show featuring work by graduating students. The full show can be streamed online at https://www.scad.edu/fashionshow2016
In conjunction with the show, designer Carolina Herrera was presented with the 2016 SCAD Étoile award. Each year SCAD honors a designer who has made a lasting impact on the fashion industry.
A retrospective exhibition of Herrera’s work, “Refined Irreverence”, is now on view at the SCAD FASH Museum of Fashion + Film in Atlanta, and at the SCAD Museum of Art in Savannah. This dual exhibit showcases more than 75 garments spanning over 30 years of Herrera’s career. Both shows will be on view through September 4.
For further reading, the New York Times published an interview with Herrera that discusses the show. See it here.
“Explore the creative process of Italian fashion house Missoni and the textiles of Ottavio and Rosita Missoni in the context of 20th century fine art. One of the most respected exponents of the ‘Made in Italy’ concept, the work of Ottavio and Rosita Missoni is deeply rooted in modern art making the Missoni brand distinctive in the world of international fashion.”